Sorry guys!
macocael said:
I would like to learn more about Henry Garcia. What are the songs he sings -- because there are several Cuco Valoy salsas that I like, and I wonder if it is Henry Garcia I am listening to. The CD I lifted them from had no credits, so I am clueless as to personnel on these cuts. Also does he have any albums of his own?
Well, as I have stated elsewhere, one significant strand in 60s and 70s salsa was initiated by Dominican Johnny Pacheco, who, with Pete "El Conde" Rodriguez (who died last year) created the first "official" salsa album, El Ca?onazo, and launched Fania Records with Jerry Masucci -- a man, it must be said, who did not act fairly by his proteg?s, ripping them all off and eventually getting into a legal wrangle with salsero-turned-lawyer Ruben Blades! Pacheco also noted the talent behind Willie Colon and Hector Lavoe and set to work polishing their sound and promoting their music. If you listen to their first album, "El Malo," which musically is pretty . . . let's say "raw," .... you will see that they benefitted enormously from Pacheco's help thereafter, and of course Willie Colon was very much like Pacheco, a man of many talents, and a great producer, so he went on to champion other new talent and create his own brand of salsa that was at times quite eclectic (lots of Brazilian influences for example).
Pacheco also turned out some of Celiz Cruz's best work -- their two albums together are filled with classics -- Quimbara, Sopa de Botella, Dime si Llegu? a Tiempo, El Mulo, on and on.
With El Conde, Pacheco turned out at least four stellar albums: El Ca?onazo, Los Compadres, Tres de Caf? y Dos de Az?car, and La Perfecta Combinaci?n. Together they promoted a salsa that hewed to the Cuban traditions, reinterpreting some classic son, and foregrounded the honey like mellifluous voice of the great Conde. His voice was deep, mellow and enveloping. he forms a nice contrast to the equally important but very different voice embodied by Ismael Rivera, or Maelo as he is affectionately known, who started out with Cortijo in Puerto Rico and went on independently to make some of the most important salsa albums of the seventies, with plenty of good politically oriented lyrics (El Nazareno, Caras Lindas, etc). In general Pacheco and El Conde steered clear of overt political statements.
Pacheco was also an accomplished charanga flute player, and brought this skill to salsa. He was a virtuouso flautist.
Btw, Miguel, I did notice you listed La Selecta -- overlooked it previously. Great band, great salsa. meanwhile this should do to kick this thing off. I will come back with more on other Dominican salseros such as Rey Reyes.
Ok guys, I am back for a bit so LET'S TALK SALSA!!!!!!!!!!!.
Macocael. let me list some salsas that Henry Garcia sings. I am pretty sure that you have heard them all.
Nacio Varon, Cantando se fue, Pa' gozar contigo, Vuelve, Mariana Engracia, Ciego de amor, El aborto, Murio el sonero, Amor para mi. He also sang merengues: Micharen and one of my favorites merengue song from yesteryears: Sisi y Ricardo.
As far as Jerry Masucci, the man was nothing more than a thief!. The man became a multi millionaire by exploiting everybody that he came in contact with.
I believe that the influence that Dominican born Pacheco had in salsa is a little unappreciated. There was a time when every single album that he worked on, just about ALL the songs became big hits. The 2 albums that he did with Celia Cruz are legendary.
Who can forget some of Pacheco's charangas/sones, where he proved to whomever cared to listen, how great he was with the flute. I get into "dancing mood" every time I listen to "El guiro de Macorina", "Alto songo", "El agua del clavelito", "Oyeme mulata", "Con su bataola".
Talking about Ismael Rivera, man, what a great sonero. I was listening to his songs: Severa, El negro bembon, Vitate de la via perico, Como son las cosas, Maquinolandera and it took me back to when I was a little lad.
By the way, let's not forget about La Sonora Poncena. Pretty good band. Their songs: "Cancion", "Abanacue", "Saoco", "Tumba mabo" and "Pio pio" always bring a smile to my face.
A dose of Henry Garcia's "Cantando se fue":
Coro:
"Cantando se me fue mi lucero,
estoy triste, solo y sin consuelo,
para la Capital se me ha hido,
solo queda dolor en mi nido".
Henry:
"Cuando se me fue mi amada,
solo quede en mi bohio,
pensando que habia marchado a buscar lana pa'l trigo,
porque no tenia pa' darle del pan de todos los dias,
porque se me habia acabado el maiz en mi finquita.....