Apologies to Ricardo 0900 re Torres
Well as I am at home with a head cold and nothing better to do than scan the internet, I decided once and for all to figure out what all the fuss is about breaking on one and on two, why people are so divided about this, why there are different dance styles, and what the heck the clave has to do with it all, since I am the one who introduced this idea as being importnat inthe interpretation of the dance.
Well I got so involved in the damn thing that I ended up writing a four page article, and I am going to see if maybe I can post it on here somehow. It defines the clave, looks at different types of clave and how songs use them, and finally looks at what this means for salsa dancing--in fact the answer is not too clear!.
But before I go any further with that, I feel I must make a public apology to Ricardo0900 who was absolutely correct in pointing out that the Eddie Torres style of dance that he is currently teaching is in fact something he cooked up in the late 70s or early 80s. However, I will also point out that i was right to suspect that his history played a role here, because it is merely an elaboration of the original Mambo Ballroom style. There is a good article available from the Wikipedia that details all this (
http://en.wikipedia.org/wiki/Salsa_(dance) )
This is what they have to say about Eddie:
“The "NY Style" is a combination of the "On 1" and "On 2" systems. The timing of the steps are on the 1-2-3,5-6-7 as in "On 1" but the breaks (where the body changes direction) occur on the 2 and 6 as in "On 2". NY instructor Eddie Torres developed this step pattern around the late 70's and the 80's and its definition is quite clear since he is still alive and his followers are keen to keep the style intact.”
Now I dont quite get the statement about timing of the steps in the second sentence, but it does back Ricardo up.
When I am wrong I admit it.
If you all want to learn more about claves, which is pretty fascinating actually, I will try to post what I have written.
I also figured out why I am sometimes breaking forward on two, but that is a different style called "on clave" and it came about as a result of misunderstanding the rules governing the opening of the dance in the Torres style (See Below).